images (8)

By Augustine Eigbe, Ph.D

The 1897 British invasion of Benin Kingdom stands as one of colonialism’s most brazen acts of cultural dismemberment, a military assault that simultaneously functioned as a calculated campaign of epistemicide.

When British forces burned the Benin Royal Palace under Oba Ovonramwen Nogbaisi and looted thousands of sacred bronzes and ivories, they were engaged in more than cultural plunder; they were systematically erasing an entire indigenous knowledge system. The recent return of 119 Benin Bronzes from Dutch collections to Nigeria has been celebrated as a watershed moment in the restitution movement.

This restitution, though significant, exposes a persistent European hypocrisy, Germany and the Netherlands reckon with their colonial past as others hide behind legal obstructions. The Dutch action of unconditional restitution dismantles the rhetorical scaffolding of preservation capacity and universal stewardship that has long sustained colonial retention policies.

While Dutch and German institutions advance accountability, the British Museum still hoards over 900 Benin Bronzes, shielded by the British Museum Act 1963, a law designed to eternalise colonial plunder. These disparities reveal not practical challenges but profound differences in political will and moral courage. What makes the Netherlands’ position particularly damning to other European states is its demonstration that legal reform is possible when conviction exists.

The recent restitution framework adopted by the Netherlands, when compared with Britain’s statutory inertia and France’s bureaucratic prevarication, demonstrates that systemic barriers primarily indicate political resistance rather than genuine practical constraints. When Austrian museums claim Nigeria lacks proper conservation facilities, or when Portuguese collections argue for establishing joint ownership, they ignore the fundamental truth that these artifacts were never theirs to steward.

The Rijksmuseum’s recent acknowledgement of the ethical impossibility of displaying looted objects stands in sharp contradistinction to the British Museum’s continued silence, revealing institutional hypocrisy with significant cultural ramifications.

The Digital Benin project’s documentation of 3,000 looted Benin objects in global museums demonstrates how institutional retention perpetuates the material logics of colonial conquest.

The economic argument remains equally compelling. European museums profit from blockbuster exhibitions of African art, while communities of origin like the Benin Kingdom are denied both their heritage and the tourism revenue it generates.

The Netherlands has demonstrated that alternative approaches exist, rendering other nations’ inaction increasingly indefensible. The Benin Bronzes case now serves as the litmus test for Europe’s willingness to reckon with its colonial legacy.

The path to true restitution requires more than symbolic gestures, demanding that Britain repeal its obstructive laws, France accelerate its glacial restitution process, and all former colonial powers establish transparent frameworks for repatriation.

The Dutch-German model demonstrates that Europe’s historical debts demand payment. They return sacred bronzes while others hide behind legal excuses. Each restitution represents a partial settlement of colonialism’s account, transforming every homecoming into both restoration and condemnation of those still retaining stolen heritage.

Augustine Eigbe is a Historian and Development Communication Expert.

Please follow and like us:

Leave a Reply

Your email address will not be published. Required fields are marked *

error

Enjoy this website? Please spread the word :)

Follow by Email
YouTube
WhatsApp